"I'd be lost without my blogger"
vinebox:

what a time to be alive

vinebox:

what a time to be alive

That awkward moment when someone does a 24-hour “My Story” catered to their white friends and forgets that I can see it too

That awkward moment when someone does a 24-hour “My Story” catered to their white friends and forgets that I can see it too

pemsylvania:

I hate commercials that play twice in a row who do you think you are

fromallofuswithlove:

fallontonight:

There was probably a better way to phrase that, Daniel Radcliffe. 

no, there actually wasn’t

Bros.

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sweetlittlekitty:

littlemisshamish:

otterlockholmeslikesfezes:

sakibatch:

hELP I PAUSED ON REICHENBACH AND FUCKING LOOK

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JOHN

JOHN PLZ

JOHN STAHP BREAK DANCING! THIS ISN’T THE TIME OR PLACE!

DO YOU SOMETIMES FEEL SO SAD THAT ALL YOU CAN DO IS BREAKDANCE

[MUFFLED RAP MUSIC PLAYING IN THE DISTANCE]

221beemine:

I’ve pondered this shot since TSOT aired. I kept wondering why we were shown the hug from this angle. At first I thought it had to do with John’s private nature, especially his private feelings about Sherlock: so private he can’t admit them to his therapist after Sherlock’s “death,” so private he makes sure Mrs. Hudson’s not watching before he touches Sherlock’s headstone. Here, he hides his face behind Sherlock’s before hugging him, and we get a private glimpse of his face full of adoration for his friend, but the guests do not.
Then I realized I had it backward. This shot isn’t about John hiding his face from the guests. When I don’t know how to understand a choice of cinematography, I usually think “What would I have meant by that choice?” And I realized that my wedding photography experience could indeed answer this question. It took me a long time to come up with because I don’t usually go behind the altar during the wedding ceremony, but I have done it enough to know that this is the kiss shot. This is the shot I do when the couple kiss. It’s one of the most important photographs to get of the wedding day; couples always, always request it. The usual way to do it is from the perspective of the guests, from the angle that most of Sherlock’s speech is filmed in TSOT, but this is a foreground-background connection: this is the shot I do when I want to show that the couple are celebrating their love in front of everyone they know. 
That’s what this shot is. It’s John showing how much he cares about Sherlock, in front of God and congregation, in front of and family and friends. Just because his face is hidden doesn’t mean he’s not demonstrating his feelings for all to see, here, for the very first time.

221beemine:

I’ve pondered this shot since TSOT aired. I kept wondering why we were shown the hug from this angle. At first I thought it had to do with John’s private nature, especially his private feelings about Sherlock: so private he can’t admit them to his therapist after Sherlock’s “death,” so private he makes sure Mrs. Hudson’s not watching before he touches Sherlock’s headstone. Here, he hides his face behind Sherlock’s before hugging him, and we get a private glimpse of his face full of adoration for his friend, but the guests do not.

Then I realized I had it backward. This shot isn’t about John hiding his face from the guests. When I don’t know how to understand a choice of cinematography, I usually think “What would I have meant by that choice?” And I realized that my wedding photography experience could indeed answer this question. It took me a long time to come up with because I don’t usually go behind the altar during the wedding ceremony, but I have done it enough to know that this is the kiss shot. This is the shot I do when the couple kiss. It’s one of the most important photographs to get of the wedding day; couples always, always request it. The usual way to do it is from the perspective of the guests, from the angle that most of Sherlock’s speech is filmed in TSOT, but this is a foreground-background connection: this is the shot I do when I want to show that the couple are celebrating their love in front of everyone they know

That’s what this shot is. It’s John showing how much he cares about Sherlock, in front of God and congregation, in front of and family and friends. Just because his face is hidden doesn’t mean he’s not demonstrating his feelings for all to see, here, for the very first time.

falvie:

Got an idea for something, but it still seems cliché :7

falvie:

Got an idea for something, but it still seems cliché :7

What if potato John is easter egg john for easter and he is painted in ridiculous colours and patterns

floccinaucinihilipilificationa:

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Happy Easter everyone! ( ´ ▽ ` )ノ